Eventide: I only have an old version of Blackhole which I use on return channel, sounds good I think, is it any different from physical pedal? Their stuff looks great. Never used any of them, do you recommend any? Also Byome, Triad, Sandman, Sandman Pro? Plugin Alliance/Unfiltered: widely used by my producer friends, I have the suite except the bx_console N, ssl console 4000 E / 9000 J.
Izotope trash 2 gearslutz professional#
Your verdict as to does it compare to analog gear? xD Eiosis Air EQ, D16 Repeater Delay, Lustrous Plates, VerbSuite & LiquidSonics Seventh Heaven Professional looks some pretty serious shit as well. Slate: I have had the SSL suite including VTM & VCC 2 for a few months, sounds good I think but a lot of debates about it on forums lol. Fabfilter: obviously using the EQ but Saturn as multiband saturator is widely used by producers too, your toughts? Do you recommend them for treating sounds? Like Weiss, Chandler, Tube-Tech collections? Also Tape, Drawmer, Fix Flanger and Doubler, Console SSL, TSAR Reverb, Spring Reverb, Tube Delay, Saturation, Fet compressors? Softube: I don't use it yet, it looks very impressive. Arturia compressors: I see everywhere they're good, speaking of compressors which brands are the best? Arturia FX suite like Delay TAPE: fun but nothing near analog quality right? Crystalliser is a bit too cheesy too my taste, it's probably good for some genres, electric guitars or break buildups but not the main lead synths of a track in electronic music. Don't use much the others, like Radiator etc I don't think they're making the source sounds better. Echoboy & Echoboy JR are also nice to bring creative delays. Soundtoys: mainly Decapitator a bit everywhere it brings some nice saturation indeed. Audiothing Outerspace: Space Echo is very important to bring immediately a synth or bassline to life but I find it nowhere near the Roland RE-201 used by so many electronic music producers, what's your thoughts? I have tried the following but I'm not too happy (maybe I need more practice): I know it shouldn't sound too processed until the stage of mastering, but still I would like to make it better than they sound already (too digital and thin for now). This crispiness, sharpness and rich/fatness processing on synth instruments is very important because I found these vsts although good for designing sound, missing that little spark that makes all the difference between a dull synth and fat one (especially those fat poly synths with built-in effects like Moog Mini & Sub 37, Dave Smith Sequential OB6 or Prophet 6, Jupiter 8, Arturia Matrixbrute, ARP Odyssey, etc.). Stuff like analog tape, echo, delay, chorus, phasers, moisturizers effect units, ssl consoles, etc.
I've been producing for almost a year and there's an area with is very frustrating for me, because as I use vst instruments synths mainly (Diva, Repro, Zebra, Arturia, Serum, UVI Falcon, D16 Lush, Omnisphere, Thorn, Spire, Pigments, Phase Plant, Kontakt librairies, ANA 2, Tal Juno to name a few) I struggle to process them in such an analog way that it would sound almost professional, warm, sharp and thick already, like the sample packs of high-end studios (mainly based in Berlin) for music I do which is electronic music.
The bundles are available from Plugin Boutique until December 31st, 2021.I trust those of you here with years of experience on producing and mastering.
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